___In_Silence
Editorial content
THIS NOW_
FREEFLOW /
A Note from the Editor
Everything begins somewhere. Or perhaps everything is already happening, and at some point, we simply begin to notice.
For as long as I can remember, I've been fascinated by the invisible mechanisms of existence. The relationship between what we see and what we perceive. Between thought and experience. Between the ordinary and the extraordinary.
I've spent years collecting observations, questions, images, fragments of conversations, unexpected connections, and little revelations. Following curiosity from one subject to another, often discovering that seemingly unrelated things were speaking about the same thing from entirely different perspectives.
Art became a way of observing. Design, a way of translating. Writing, a way of contemplating. And the website, a living archive of an ongoing exploration.
Somewhere along the way, I realized I wasn't simply collecting ideas.
I was building a world in which they could meet.
InU is the printed expression of that world.
A journal of inner and outer worlds, where art encounters science, fashion becomes a language of identity, consciousness becomes a subject of inquiry, and curiosity is allowed to wander without needing to arrive at a conclusion.
Not a collection of answers.
An invitation to look again.
Our first issue explores SILENCE.
Not merely the absence of sound, movement, or thought, but the possibility of discovering what remains when we stop filling every space.
What is silence?
What happens when we enter it?
And what if, rather than finding nothing, we discover everything?
These questions became the beginning of an exploration that moved through stillness, perception, frequency, identity, the observer, and the invisible architectures of experience.
Each perspective opened another.
And another.
And here we are.
THIS NOW is the only place from which any exploration can begin.
FREEFLOW is the willingness to follow where it leads.
There is no particular destination prescribed within these pages. No identity to achieve. No better version of yourself waiting somewhere in the future.
Perhaps there is simply more of you to discover.
Because that has always been the idea behind InU.
Everything in U.
Welcome inside.
in Silence.
84 SUBTLE WAYS
Conscious Creations / An ongoing exploration
w o n d e r r e m a i n s…
FIRST&FOREMOST
align with who you really are.
[ This isn't simply a philosophical subject ]
It's the central orientation that allows all the other explorations to coexist.
01 / THE JUNCTURE OF EVERYTHING
___SILENCE
Not the absence of sound, movement, thought, or expression.
The stillness beneath everything.
The juncture of everything.
02 / THE CENTER
___CLOSE YOUR EYES AND ALLOW IT.
There it always is.
03 / WHITE ON WHITE
___WHITE ON WHITE
Not emptiness.
Potential.
All the colors of light, converging.
01
COVER / InU · InSilence
02–03
EDITOR'S NOTE / A letter from the center
04–05
THIS NOW / Current transmissions + contents
06–09
COVER STORY / The Juncture of Everything
10–11
LEXON / _SILENCE
04 / IN MOTION
___INNER STILLNESS DOES NOT REQUIRE OUTER STILLNESS.
You can move.
You can create.
You can participate.
And remain in the center.
05 / ALLOWANCE
___ALLOWANCE
The possibility of experiencing something without immediately needing to change it.
To observe before defining.
To allow before resisting.
06 / THE OBSERVER
___POINT OF VIEW
What changes when the perspective changes?
And what remains?
07 / THE BORROWED GAZE
___WHOSE EYES AM I LOOKING THROUGH?
Which definitions of beauty, value, success, and identity have I accepted without consciously choosing them?
08 / EXPRESSION ≠ RECEPTION
___EXPRESSION ≠ RECEPTION
The value of creating is not determined by the response it receives.
Connection is welcome.
Approval is not the source.
09 / NOTHING TO DO
___NOTHING TO DO.
Nothing to become.
Nothing to demonstrate.
The possibility of simply being here.
12–13
MECHANISM / Allowing vs. Resisting
14–15
OBSERVATORY / What science says about stillness
16–19
FASHION EDITORIAL / _inSilence
20–21
EY AY LAB / Experiments in visual perception
10 / WORK / PLAY
___WHAT IF WORK IS PLAY?
Not because it is effortless.
But because the activity itself is worth doing.
11 / IMAGINATION
___IMAGINATION IS MY MEDIUM.
Fashion.
Writing.
Art.
Technology.
Worlds.
Different expressions of the same creative curiosity.
12 / IN U
___IN U.
In silence.
In stillness.
In love.
In motion.
In wonder.
More of you.
Everything in U.
13 / BUT [!]
___BUT [!]
What if the opposite is also worth considering?
14 / STRUCTURE
___STRUCTURE WITHOUT CONFINEMENT.
An architecture that supports imagination without determining where it must go.
22–23
H U M A N / The experience of being
24–25
GOOD POINT / Art, culture, discoveries
26–27
THREE PERSPECTIVES / Bashar, Seth, Abraham
28–29
REFLECTION / Intentions + reader participation
30–31
EVERWONDER / Closing thoughts, credits, sources
15 / THE RETURN
___THE CENTER DOES NOT REQUIRE THE CIRCUMFERENCE TO REMAIN UNCHANGED.
The world moves.
Experience unfolds.
Creation continues.
And stillness remains available.
___CLOSE YOUR EYES AND ALLOW IT.
There it always is.
32
BACK COVER / One final transmission
THIS NOW / Editor's transmission
An intimate opening from your current explorations. A moment, a realization, a question, a change in perspective. Not an introduction to everything in the magazine, but a point of departure.
Sources: THIS NOW · FREEFLOW · @84subtleways
LEXON / The living vocabulary
One concept explored through its meanings, relationships, paradoxes, and possibilities. Beautifully typographic, almost like a futuristic encyclopedia.
Sources: LEXON · theLIBRARY · Living Definitions
THE MECHANISM / How does it work?
Your philosophical and metaphysical investigations into beliefs, perception, alignment, identity, and the creation of experience. Diagrams, symbolic systems, questions, and comparisons.
Sources: MECHANISMS · _SO · Metaphysical Architecture
THE OBSERVATORY / Science & wonder
Research and discoveries from neuroscience, psychology, physics, biology, technology, and consciousness studies. The scientific findings are clearly distinguished from philosophical interpretation.
Sources: your research notes · relevant studies · science discoveries
WEARABLE WORLDS / Fashion as expression
A full visual editorial. OTHERWORLDLY pieces, styling explorations, experimental photography, and conceptual fashion storytelling.
Sources: OTHERWORLDLY · @theBlueDreamGirl · @EYAY
THE LAB / What if…?
Where concepts become experiments. AI-generated worlds, image iterations, speculative design, prototypes, unexpected outcomes, and selected creative process notes.
Sources: EY AY LAB · #FridayNightEYAYslop · I & AI
H U M A N / The beautiful experience
Personal stories, portraits, artists, conversations, questions about identity, beauty, perception, embodiment, and self-expression.
Sources: #theSelfProject · photography · STUDIO79
GOOD POINT / The wider world
Constructive news, fascinating people, unusual discoveries, exhibitions, independent music, culture, and things worth paying attention to.
Sources: GOOD POINT · STUDIO79 · curated outside discoveries
IN U / Your turn
A physical space for reflection. An open question, a creative exercise, a little blank space to write, draw, or observe. Bringing the reader into the experience.
_everwonder
a poetic transitions between the more structured sections.